About
I was born in Patagonia in 1984, between the wind and the sheer scale of the steppe. Since then I've been doing two things that rarely go together: building systems and telling stories.
I trained at UNPSJB and UTN, and I've spent more than twenty years developing software and leading technical projects. Alongside that, I brought the same discipline to film: I've worked on documentaries for Argentine and international production companies, managing teams, materials and deliveries where every file matters.
When generative AI started producing images that looked like cinema, I saw the exact point where my two crafts meet. That's where synthography was born: a practice that combines cinematic technique with generated images that emulate real cinema cameras. And that's where my own video generation pipeline came from, running on local servers.
I work on my own machines for a concrete reason: in production I learned that the client's material is the most valuable part of any project. A script, an archive or a brand's image shouldn't travel to someone else's cloud to become video.
Today I live between Rome and Patagonia. When I'm not in front of a shot, I fly paragliders or go sailing.
Production
Before generating images, I went out to find them: locations, scouting and local production in Patagonia for film and documentary.
El Bolsón, El Hoyo and Epuyén
Best Location Design, Argentine feature. 37th Mar del Plata International Film Festival, 2022
Twenty days of shooting along Magellan's route, from Buenos Aires to Punta Arenas
Trelew and central Chubut
El Bolsón, El Hoyo and Epuyén
Comodoro Rivadavia and northern Santa Cruz